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		<title><![CDATA[Latest posts for the topic "Q about Tab and Keys"]]></title>
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		<description><![CDATA[Latest messages posted in the topic "Q about Tab and Keys"]]></description>
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				<title>Q about Tab and Keys</title>
				<description><![CDATA[ I need to some help with my analytical mind.  When I play, I tend to stay on and around the fret of the key, so for example, In A (capo'd) I stay on or around the open fret.  I may slide to 2 and if I'm feeling brave I'll even to to #5!  <br /> <br /> Here's my problem / question.  When in the key of A (capo'd) for example and the chord changes to E, many of the tabs have notes on 0 and #2 (near A).  Since I tend to stay on or near #7 I limit myself to what I can do.  I don't understand the methodology of playing E with an open fret or on #2. <img src="http://www.bluegrasscollege.org:8080/jforum//images/smilies/0a4d7238daa496a758252d0a2b1a1384.gif" /> <br /> <br /> Is there a way to help me understand what notes I can play where?<br /> <br /> Thanks!<br /> ]]></description>
				<guid isPermaLink="true">http://www.bluegrasscollege.org:8080/jforum/posts/preList/79/282.page</guid>
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				<pubDate><![CDATA[Fri, Apr 3 2009 16:32:45]]> GMT</pubDate>
				<author><![CDATA[ auballard]]></author>
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				<title>Re:Q about Tab and Keys</title>
				<description><![CDATA[ Sorry for the slow response. It's taken me a little while to understand exactly what you're asking (I'm not a dobro player), so forgive me if I've got the wrong end of the stick. I think you're saying that if you put your capo on the 2nd fret and are now in A, you use notes in an 'open' position when the chord is A, then you move you're bar to your 5th fret when the chord is D, and do the same thing there. And so on for all the chords.<br /> <br /> I think you need to think about it in a completely different way. Every song or tune has a melody and you need to work out how to play that, regardless of how much you need to move things around. Listening to recordings and reading tab are good ways to see what other people do in certain situations. Learning some music theory is also a very good idea. There is a music theory lesson available at Bluegrass College which concentrates solely on bluegrass and how theory can help you improvise. Use the left navigator and click on 'Lessons'; you'll find a link at the top of the new page.<br /> <br /> Learn the melodies first though!<br /> <br /> Andy]]></description>
				<guid isPermaLink="true">http://www.bluegrasscollege.org:8080/jforum/posts/preList/79/285.page</guid>
				<link>http://www.bluegrasscollege.org:8080/jforum/posts/preList/79/285.page</link>
				<pubDate><![CDATA[Tue, Apr 28 2009 09:25:42]]> GMT</pubDate>
				<author><![CDATA[ flatpicker]]></author>
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